Tenorite, created by Erin McLaughlin and Wei Huang, is the more traditional style out of the five. It almost looks like a more modern version of the default Times New Roman font from decades ago, with wide characters, accents, and clear punctuation.

Skeena, created by John Hudson and Paul Hanslow, feels inspired by various periods of font design. It has big variations in the thick and thin parts of its letters, along with very distinct curves on letters like S, A, and J.

Bierstadt by Steve Matteson is inspired by mid-20th-century Swiss typography. The stroke endings are very clearly cut off, but there’s some subtle softening to avoid the rigid grid-based typography you typically find with a font like this. Helvetica is the most famous example of this type of “grotesque san serif” font, and Matteson has attempted to contrast Microsoft’s Arial font here, too. Mattison named the font after a rocky mountain in Colorado that reminds him of the Swiss Alps.

Seaford by Tobias Frere-Jones, Nina Stössinger, and Fred Shallcrass, feels the most immediately familiar out of the bunch, invoking the classic old-style serif text typefaces. The designers took inspiration from old armchairs to find a practical way to bring a classic, valued font back to life without the serifs.

Grandview is the most striking of all five new fonts. Created by Aaron Bell, it draws inspiration from classic German road and railway signage. Much like the signs, this font is designed to be highly legible, with some tweaks to make it more comfortable for long-form reading. Based on the spirit of the German industrial standard.

Microsoft is now releasing these five new fonts in Microsoft 365 so everyone can try them out before a new default is chosen. Polls and feedback will be considered as part of how Microsoft picks a winner, and the company is going to spend the next few months evaluating these new fonts and seeing which ones are proving popular. Once a decision has been made, the new default font will appear in Microsoft Office apps in 2022.